{"id":2059,"date":"2015-11-05T14:22:10","date_gmt":"2015-11-05T21:22:10","guid":{"rendered":"https:\/\/karriehovey.com\/?page_id=2059"},"modified":"2026-05-01T10:03:08","modified_gmt":"2026-05-01T17:03:08","slug":"info","status":"publish","type":"page","link":"https:\/\/karriehovey.com\/?page_id=2059","title":{"rendered":"About"},"content":{"rendered":"

<\/p>\n

news<\/h3>\n

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<\/p>\n

April 26th, I will be trying something new for me. The DiRosa Preserve is having a Maker's Market<\/a> that I will be taking part in. If you are in the Bay Area swing by to say hello. I will be showing smaller wall works, stand alone sculptures, and a few new things I've been experimenting with. I will be located in the main gallery space.<\/p>\n

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\n\n \"\" <\/div>\n
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I will be traveling to Orlando in May to work with Access at the\u00a0The American Thoracic Society (ATS)\u00a0Conference. The piece on the left will be stripped back to the base and painted white. Over the next seven days, I will create an entirely new site-specific work using materials repurposed from the conference. The end product will depend on the materials that are salvaged from the building of the convention booths and the gathered materials that are castoff during the conference. If I am a successful scavenger and creator, I plan to showcase the earth's lungs – One side of the lung will represent a forest ecosystem and the other will be an aquatic environment — Honoring our\u00a0forests and oceans for the critical role they play in the health of our planet.<\/p>\n

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<\/p>\n

cv<\/h3>\n

\n<\/div>

<\/div><\/div><\/div>
<\/p>\n

Downloadable CV (3 pages), Bio, and Artist Statement<\/a><\/p>\n

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<\/p>\n

solo exhibitions<\/h3>\n

\n<\/div>

<\/div><\/div><\/div>
<\/p>\n

statement<\/a>\u00a0 |\u00a0 bio<\/a>\u00a0 |\u00a0 links<\/a><\/h3>\n

\n<\/div>

<\/div><\/div><\/div><\/div>
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<\/span><\/i> Accordion Tab<\/a><\/h3>
<\/p>\n

2026 karrie hovey : redacted Aurelia Art Gallery, Santa Fe, NM<\/p>\n

\n<\/div><\/div><\/div><\/div><\/div>\n

<\/p>\n

\n2026<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : redacted<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Aurelia Art Gallery, Santa Fe, NM<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2025<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : morphology<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Aurelia Art Gallery, Santa Fe, NM<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2023<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : habit | habitat<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Red Fox Gallery, Pound Ridge, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2021<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : reclaimed<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Red Fox Gallery, Pound Ridge, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2017<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : ensemble<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Project Space, Johannesburg, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2017<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : in danger<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Prizer Art & Letters, Austin, TX<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2017<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : menagerie<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Los Medanos College, Pittsburg, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2015<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : spaces (in) between<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Tiburon Heritage & Arts Commission, Tiburon, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows : Inside and Out<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Jepson Center \/ Telfair Museum, Savannah, GA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : groundcover<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Recology, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Karrie Hovey : Incubate<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Studio 943, Kunming, China<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2009<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Marco Gallery, Dominican University, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

float<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Tetem II, Enschede, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

rethos<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Peerless Gallery, Prairie Center of the Arts, Peoria, IL<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Karrie Hovey : Current Works<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Concord Museum, Concord, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2004<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Paintings<\/p>\n

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<\/p>\n

Studio 333, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Water<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Beresford Center Gallery, San Bruno, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1994<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Shades Between Dark & Light<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Catamount Arts, St. Johnsbury, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

group exhibitions<\/h3>\n

\n<\/div>

<\/div><\/div><\/div><\/div>
<\/p>\n

2025<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Small Works<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Marrow Gallery, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2024<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Faculty Exhibition<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2023<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Tending Gardens \/ Fertile Grounds<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Root Division, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2022<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Misfit Makers<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Root Division, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2022<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Viridis<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Red Fox Gallery, Pound Ridge, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2019<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Project Space: Up and Coming<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Turbine Art Fair, Johannesburg, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2018<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Altered<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

OFFSpace, Minnesota Street Projects, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2018<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Raise the Caliber<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Red Fox Gallery, Bedford, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2017<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Thread Heads<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Berkeley Art Center, Berkeley, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Wild<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Root Division, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Spectral Hues: artists + color<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Palo Alto Art Center, Palo Alto, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Eilandhoppen<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Stadskantine Alkmaar, the Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2016<\/p>\n<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

5 Hour Sculpture<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Montalvo Art Center, Saratoga, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Global Village Project 2016<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Honig-factory, Koog a\/d Zaan, the Netherlands
City Center, Landshut, Germany
Kulturhuset Bronden, Brondby, Denmark<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Diverted Destruction<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Loft at Liz's, Los Angeles, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Transience<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

OFFspace, Classic Car West, Oakland, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

reCYCLE 2016<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Mill Valley Art Commission, Mill Valley, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Reclaimed Room<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Building Resources, San Francisco<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2015<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

reCYCLE Outdoor Public Art Contest<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Mill Valley Arts Commission, Mill Valley, CA<\/p>\n

\n<\/div><\/div><\/div>

<\/div><\/div><\/div>
<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

50\/50<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sanchez Art Center, Pacifica, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Make Art, Not Landfill<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Thoreau Center for Sustainability, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Build<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Traywick Contemporary, Berkeley, CA <\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

FLUID<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Newhouse Center for Contemporary Art, Staten Island, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Earth Materials<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

SIM Salurinn, Reykjavik, Iceland<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2013<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Art of Recology<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco International Airport, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

(dis)locations | (trans)formations<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bag Factory, Johannesburg, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Tony 2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Everson Museum, Syracuse, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Art and Social Activism<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Nick Cohn Art Projects and Chashama, Long Island City, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Vanquishing Terrains<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Intersection for the Arts, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taste 2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Root Division, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Strange Worlds \/ Altered Realities<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Traywick Contemporary, Berkeley, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

10th Annual Sculpture Exhibit\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Cloverdale Reveille, Cloverdale, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

of paper on paper\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Marco Gallery, Dominican University, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2011<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Ever After<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Off-Space, Chapel of the Chimes, Oakland, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Unresolved<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Cell Space, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Chain Letter<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Shoshana Wayne Gallery, Santa Monica, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Thought Bombers<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Burlington City Arts, Burlington, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

re:Union<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Michelle O\u2019Connor Gallery, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Counter-reciting Circumference<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Yunnan University Art Museum, Kunming, China<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows – Retail Outlet <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Brief Space, Metreon, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows – Park Plaza <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Absolute ZERO, ZERO1, San Jose, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Global Village<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Grote kerk, Alkmaar, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2009<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Exposed<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Global, Long Beach Arts Council, Long Beach, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Natural Balance: Art & Ecology<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Hibrids 2.0, Girona, Spain<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Fiber of Matter\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Ice House, Phoenix, AZ<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ikenschede<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

De Zuidmolen, Enschede, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

HIER EN DAAR<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

id11, Delft, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

there is no synonym for hope<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Smack Mellon, Brooklyn, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2007<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Annual Sculpture Exhibit<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Cloverdale Reveille, Cloverdale, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Concept to Reality<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Cloverdale Public Library, Cloverdale, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Out of the Ashes\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Undercurrents Art, Miami, FL<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2006<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Emerge | GenArts<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Warfield Building, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Flux – Juror\u2019s Choice\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Works \/ San Jose, San Jose, CA\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

MFA 2005 Graduate Show<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Fiberscene, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

New California Masters<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Works \/ San Jose, San Jose, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

MFA exhibition<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2004<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Innovations in Textiles – Juror\u2019s Choice<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sebastopol Center for the Arts, Sebastopol, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Pacific Rim Student Biennale<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sega Building, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Student Exhibition CNCH<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Santa Clara Conventions Center, Santa Clara, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

12 x 6 x 5<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Marshall Project, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Out of the Red, Into the Black<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2003<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Art Bowl IV<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

b.Sakata Gallery, Sacramento, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Stillwell Show<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2002<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Student Exhibition CNCH<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Santa Clara Conventions Center, Santa Clara, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1995<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Yugo Next<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Grand Central Station, New York, NY (12 additional venues)<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1994<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

What Makes Them Tick<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

New York Art Directors Club, New York, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1993<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Don\u2019t Touch That Dial\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

New York Art Directors Club, New York, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1991<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Skeleton Show<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Visual Arts Gallery, School of Visual, New York, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Skeleton Show*<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Whitney Museum of American Art, New York, NY\u00a0 * AIGA show opening in conjunction with the Basquiat Retrospective<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

work in public spaces<\/h3>\n

\n<\/div>

<\/div><\/div><\/div><\/div>
<\/p>\n

\n2026<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Solo Intervention using repurposed materials, commissioned by Access<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ATS Conference, Orange County Convention Center, Orlando, FL<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2025<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Recovery Crew Collective Collaboration, commissioned by Access<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ATS Conference, Moscone Center, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2022<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows : Satellite<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Satellite Gallery, Lyndonville, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2022<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : wayfinder <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Farmhouse 58, Cradle of Humankind, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2021<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows : reclaimed <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Red Fox Gallery, Pound Ridge, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows : BioMe<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Canal Convergence, Scottsdale Public Art, Scottsdale, AZ<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Division <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA <\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

SVB Installation<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sociale Verzekeringsban, Zaandam, Amsterdam, NL<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2004<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Diamonds-in-the-Sky<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA <\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Diamonds-in-the-Sky<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco Civic Center, San Francisco, CA <\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

installations<\/h3>\n

\n<\/div>

<\/div><\/div><\/div><\/div>
<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

karrie hovey : Endangered <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Storefronts Seattle, Seattle, WA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2011<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows: to be determined<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

SOCAP11, Fort Mason, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2009<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Perch<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

I-Park Artist Enclave, East Haddam, CT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bamboo<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Viviendo Verde Ya, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Window Installation<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Arboretum Apparel, Healdsburg, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2007<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ReDesertification<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taliesin West, Scottsdale, AZ<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Unknown<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Terra Foundation, Museum of American Art, Giverny, France<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2006<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Marionation<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Project Space, Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Site Keeper<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Project Space, Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Six Degrees of Separation<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Project Space, Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Six Degrees of Separation<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bar-or Ranch, Point Reyes Station, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Consciousness Resuscitated<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Brick, Apron, Flag, Quilt<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Terra<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

So Called Right<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bar-or Ranch, Point Reyes Station, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Division<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

270 nights | 270 days<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Garden of Remembrance, SFSU, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

performance<\/h3>\n

\n<\/div>

<\/div><\/div><\/div><\/div>
<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Wall Flower<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Yunnan University Art Museum, Kunming, China<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Nest : Shell :: Home : Hideout<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Tetem II, Enschede, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2006<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Reading Room<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

residencies<\/h3>\n

\n<\/div>

<\/div><\/div><\/div><\/div>
<\/p>\n

\n2022<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Farmhouse 58<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Cradle of Humankind, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2019<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

The Project Space Artist Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Johannesburg, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2018<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Lucas Artist Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Montalvo Art Center, Saratoga, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2015<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ESXLA Artist Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Eastside International, Los Angeles, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Nirox Artist Residency\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Nirox Foundation, Johannesburg, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

SIM Artist Residency\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

S\u00cdM Residency, Reykjavik, Iceland<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Brush Creek Artist Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Brush Creek Foundation for the Arts, Saratoga, WY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2013<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taliesin Artist in Residence<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taliesin East, Spring Green, WI<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bag Factory Artist in Residence<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bag Factory, Johannesburg, South Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Recology Artist in Residence<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Recology, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2011<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sculpture Space Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sculpture Space, Utica, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Studio 943 Artist-in-Residency\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Studio 943, Kunming, Yunnan, China<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Spiro Artist-in-Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Spiro Arts, Park City, UT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2009<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Enclave at I-Park Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

I-Park, East Haddam, CT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Can Serrat Artist Fellowship<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Can Serrat, El Bruc, Spain<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Enschede Artist Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ARE, Enschede, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist in Residence<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Prairie Center of the Arts, Peoria, IL<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2007<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taliesin Artist Residency Program<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Frank Lloyd Wright School of Architecture, Scottsdale, AZ<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Terra Summer Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Terra Foundation, Museum of American Art, Giverny, France<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Affiliate Art Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2006<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

MFA Project Space Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

MFA Residency<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Art, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

honors\/grants<\/h3>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Nominee – SECA Art Award<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

SFMOMA, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Finalist Career Development Grant<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ARTWORK International, Santa Fe, NM<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Career Development Grant<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Marin Arts Council, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

artist talks<\/h3>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2015<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Karrie Hovey: Visiting Artist<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Karrie Hovey …the Garden Grows <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Jepson Center \/ Telfair Museum, Savannah, GA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2013<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Presentation\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taliesin East, Spring Green,WI<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Residencies\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bag Factory, Johannesburg, ZA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Felting workshop\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Bag Factory, Johannesburg, ZA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2011<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Residencies<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Advisory Board Artist Talk<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Sculpture Space, Utica, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

TITLE<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

LOCATION<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Lecture<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Wen Hua College, Yunnan Arts Institute, Kunming, China<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Geographies of Art: Sur le Terrain<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Terra Foundation, Paris, France<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Panel Discussion – Art Marketing<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

SFSU College of Creative Arts, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2009<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Presentation<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

I-Park Artist Enclave, East Haddam, CT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

…the Garden Grows Artist Talk<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Talk<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Can Serrat, El Bruc, Spain<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Grantwriting & Applications<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Residencies Panel Discussion<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

id11, Delft, Netherlands<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Lecture, Professor Leonard<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

John F. Kennedy University, Berkeley, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Panel Discussion – Art & Peace\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Commonwealth Club of California, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2007<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Artist Talk<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Taliesin West, Scottsdale, AZ<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Guest Lecturer<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2006<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Salon Series<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Arts, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Guest Lecturer<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Waterford School, Waterford, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Show and Tell<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Headlands Center for the Arts, Sausalito, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

academic<\/h3>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2015<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Visiting Artist – MFA Visiting Artist Program<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Advanced 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University, San Rafael, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2014<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Introduction to Graphic Design\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2013<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Introduction to 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Advanced 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2012<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Introduction to 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Advanced 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2010<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Introduction to 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Advisor\/Mentor – Community Service Learning<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2009<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Introduction to 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2008<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Junior Seminar<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2007<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Adjunct Lecturer – Introduction to 3D design<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Dominican University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2006<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Visiting Artist – Sculpture 4 \u2013 Professor Hunter\u00a0\u00a0\u00a0 <\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

work<\/h3>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2015-Present<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Founder<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

ProjectThorn, Fairfax, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005-08<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Assistant Office Manager<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Fine Art Department, SFSU, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2002-15<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Creative Director<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Independent Consultant, Mill Valley, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1999-02<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Senior Designer<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Razorfish, Inc., San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1998-99<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Creative Director<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Foglight Software, Pleasanton, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1998-98<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Senior Designer<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

GAP Inc., San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1994-98<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Senior Designer<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Jager DiPaola Kemp Design, Burlington, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

education<\/h3>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2018<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Certified WIldlife Safari Guide<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Ulovane Environmental Training, Field Guide Association of Southern Africa<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

MFA Sculpture \u2013 4.0<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Fine Art Department, SFSU, San Francisco, CA, San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n2005<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

MFA Student Representative<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

San Francisco State University, San Francisco, CA<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1994<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

BFA Graphic Design \u2013 3.87<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

School of Visual Arts, New York, NY<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1990<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Internship<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Walt Disney College Program, Lake Buena Vista, FL<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1990<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Computer Science (transfer)<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

University of Vermont, Burlington, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

\n1998<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Valedictorian<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

Concord High School, Concord, VT<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/p>\n

Collections<\/h3>\n

\n<\/div><\/div><\/div>

<\/div><\/div><\/div>
<\/div><\/div>
<\/p>\n
Farmhouse 58<\/div>\n
Twitter<\/div>\n
Nirox Foundation<\/div>\n
Chevron<\/div>\n
Recolory<\/div>\n
San Francisco Public Library<\/div>\n
I-Park Permanent Collection<\/div>\n
SVB Corporate Collection<\/div>\n
McEvoy Ranch<\/div>\n
School of Visual Arts
National Gallery of American Art
Additional work held in private collections<\/div>\n

\n<\/div><\/div><\/div>

<\/div><\/div><\/div>
<\/p>\n

bibliography<\/h3>\n

\n<\/div><\/div><\/div>

<\/div><\/div><\/div>
<\/p>\n

\n<\/div><\/div><\/div>

<\/p>\n

\nConnect Savannah, \u201cGarbage is the New Black\u201d. Lebos, Jessica Leigh, 03\/01\/2014.
http:\/\/www.connectsavannah.com\/savannah\/garbage-is-the-new-black\/Content?oid=2389196<\/p>\n

Savannah Morning News, \u201cFrom trash comes thought-provoking treasures at Savannah\u2019s Jepson Center!\u201d. Landers, Mary, 03\/26\/2014.
http:\/\/dining.savannahnow.com\/do\/2014-03-26\/trash-comes-thought-provoking-treasures-savannahs-jepson-center#.Uzs7YceVEyl<\/p>\n

Daily Kos, \u201cThey\u2019re making art out of recycled crap!\u201d. Eberlein, Sven, 07\/21\/2013.
http:\/\/www.dailykos.com\/story\/2013\/07\/21\/1218897\/–They-re-making-art-out-of-recycled-crap#<\/p>\n

Post-Standard, \u201cThe Heart of \u2018TONY: 2012\u2019\u201d. Rushworth, Katherine, Art Section, 10\/28\/2012, Page 12.<\/p>\n

TONY 2012, The Other New York. McLaughlin, Pam, 2012, Pg. 33, 51.<\/p>\n

Everson Museum of Art Channel, \u201cThe Other New York: 2012 Artists on Art\u201d. McLaughlin, Pam and Griffiths, Kimberly, 08\/17\/2012.
http:\/\/www.youtube.com\/watch?v=NNw5iMJlYas&feature=relmfu<\/p>\n

San Francisco Chronicle, \u201cKarrie Hovey: \u2018Groundcover\u2019 exhibition at Recology\u201d. Chun, Kimberly, Ovation Section, 05\/10\/2012, Page 16.
Online at: http:\/\/www.sfgate.com\/cgi-bin\/article.cgi?f=\/c\/a\/2012\/05\/17\/NSLU1OFNKV.DTL<\/p>\n

San Francisco Chronicle, \u201cBroadside Attractions\/Vanquished Terrains\u201d. Wright-Hession, Stephanie, Ovation Section, 05\/10\/2012, Front page.
Online at: http:\/\/www.sfgate.com\/cgi-bin\/article.cgi?f=\/c\/a\/2012\/05\/10\/DDUK1OB5DI.DTL<\/p>\n

art – icons – comics, \u201cKarrie Hovey & The Other New York 2012\u201d. Munson, Kim, 08\/26\/2012.
http:\/\/kmunson-mac.blogspot.com\/2012\/08\/karrie-hovey-other-new-york-2012.html<\/p>\n

JamTV, \u201cOff the Radar\u201d. Global Radar, New Zealand, Air date to be determined.
http:\/\/www.jamtv.co.nz\/<\/p>\n

art – icons – comics, \u201cKarrie Hovey – Recology Artist in Residence\u201d. Munson, Kim, 05\/27\/2012.
http:\/\/kmunson-mac.blogspot.com\/2012\/05\/karrie-hovey-recology-artist-in.html<\/p>\n

CNN, \u201cTurning Trash to Treasure\u201d. Cousteau, Philippe, Edition: International, 05\/19\/2012.
http:\/\/edition.cnn.com\/video\/#\/video\/world\/2012\/04\/18\/exp-road-rio-trash-art.cnn<\/p>\n

CatSynth, \u201cBroadside Attractions\/Vanquished Terrains at Intersection for the Arts\u201d. 05\/04\/2012.
http:\/\/www.ptank.com\/blog\/2012\/05\/broadside-attractions-vanquished-terrains-at-intersection-for-the-arts\/<\/p>\n

Visual Arts Source, \u201cStrange Worlds \/ ALtered Realities\u201d , Cheng, Dewitt, 04\/28\/12.
http:\/\/www.visualartsource.com\/index.php?page=editorial&pcID=17&aID=1200<\/p>\n

Untapped SF, \u201cSan Francisco\u2019s Utopic Dump: Visual Artists Remake City\u2019s Trash into Treasure\u201d, Little, Shannon, 04\/23\/2012. http:\/\/sf.untappedcities.com\/2012\/04\/23\/san-franciscos-utopic-dump-visual-artists-remake-citys-trash-into-treasure\/<\/p>\n

Art Business, \u201cIntersection for the Arts: Broadside Attractions | Vanquished Terrains.\u201d, Bamberger, Alan, 04\/11\/12.
http:\/\/www.artbusiness.com\/1open\/041112.html<\/p>\n

ArtCam, \u201cBroadside Attractions\/Vanquished Terrains @ Intersections for the Arts, SF\u201d, Cheng, Dewitt. 04\/22\/12.
http:\/\/dewittcheng.com\/broadside-attractionsvanquished-terrains-inte#more<\/p>\n

SF Art Enthuiast, \u201c\u2018Broadside Attractions\/Vanquished Terrains\u2019 at Intersections for the Arts\u201d, 05\/01\/12.
http:\/\/sanfranciscoartbeat.com\/2012\/05\/intersection-for-the-arts-broadside-attractions-vanquished-terrains\/<\/p>\n

\u201cKarrie Hovey – Incubate\u201d. He Libin, 2011, Issue 1, 03\/2011.
Monumental, The Reimagined World of Kevin O\u2019Callaghan. Hussey, Deborah, 2010, Pg.42-43.<\/p>\n

Park City TV, \u201cArtist Profile – Karrie Hovey\u201d. 06\/09\/2010.
http:\/\/www.youtube.com\/watch?v=2Ebrbs4jqh0<\/p>\n

The Habit, \u201cGarden of earthy delight\u201d. Glenn, Audrey, Fall 2009., Issue 3, 10\/27\/2009.<\/p>\n

Art Papers, \u201cKarrie Hovey\u201d. Krainak, Paul, January\/February 2009., Vol. 33, No. 1.<\/p>\n

Ikenschede Exhibition Book, Jongma, Clemens, Pg. 52-53, 126.<\/p>\n

Bohemian, \u201cPolitical Is Personal\u201d, Giles, Gretchen, 06\/14\/2006.
http:\/\/www.metroactive.com\/bohemian\/06.14.06\/karrie-hovey-0624.html<\/p>\n

San Francisco Bay Guardian, \u201cPOWER TRIO\u201d, Huston, Johnny Ray, 06\/14\/2006.
http:\/\/www.sfbg.com\/entry.php?entry_id=860&catid=85<\/p>\n

College Art Association, \u201cOver and Over: The Methodical Impulse\u201d, Laplante, Mario, 2\/22\/2006.<\/p>\n

SF State > News, \u201cA Closer Look: Diamonds in the Sky\u201d, Staff, 11\/2004.
http:\/\/www.sfsu.edu\/~news\/2004\/fall\/156.htm<\/p>\n

SFSU Magazine, \u201d Honoring Our Fallen Soldiers\u201d, inside back cover, Winter 2004 Vol.5 No#1.
http:\/\/www.sfsu.edu\/~sfsumag\/archive\/winter_04\/final.html<\/p>\n

San Francisco Chronicle, \u201cMemorial designed to move\u201d. Rubenstein, Steve, 11\/12\/2004.
http:\/\/www.sfgate.com\/cgi-bin\/article.cgi?f=\/c\/a\/2004\/11\/12\/BAG8M9QGSE1.DTL&hw=karrie+hovey&sn=001&sc=1000<\/p>\n

Caledonian Record, Reprint from San Francisco Chronicle, 12\/10\/2004.<\/p>\n

Golden Gate [X]press, \u201c\u2018Diamonds\u2019 Honor Slain Soldiers\u201d, 12\/09\/2004.<\/p>\n

San Francisco Examiner, \u201cA Day of Reflection\u201d, 11\/12\/2004.<\/p>\n

Marin Independent Journal, \u201cMarin Artist\u2019s Honors Soldiers\u201d, 11\/11\/2004.<\/p>\n

Golden Gate [X]press, \u201cArt Student Memorializes Soldiers Killed in Iraq\u201d, Acevedo, 11\/04\/2004.
http:\/\/xpress.sfsu.edu\/archives\/life\/002203.html<\/p>\n

College of Creative Arts S.F.State University, \u201cDiamonds in the Sky installation\u201d, 2\/2005, Inside front cover.
Caledonian Record, \u201cShades of Light and Dark\u201d, 1\/7\/1994.<\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>
<\/p>\n

artist statement
<\/h3>\n

\n<\/div>

\n\n \"\" <\/div>\n
<\/div>
<\/p>\n

Karrie installing her solo exhibition at the Jepson Center \/ Telfair Museum in 2014<\/em>.<\/p>\n

\n<\/div><\/div><\/div>

<\/div>
<\/div>
<\/p>\n

As a multidisciplinary visual artist, I seek inspiration from the natural world.\u00a0<\/p>\n

My work explores the symbiotic relationship between the human landscape and the natural world. For inspiration, I seek out unique habitats, landscapes, flora, and fauna. Although the work I create is diverse in material, process, and execution, the pieces contextually relate to concerns for the environment, sustainability, biodiversity and physical geography.\u00a0<\/p>\n

My artworks are mixed media and typically incorporate textiles, recycled resources and natural materials.<\/p>\n

\n<\/div>

<\/p>\n

Back to Top<\/a>
<\/em><\/p>\n

\n<\/div><\/div><\/div><\/div>

<\/div>
<\/div>
<\/p>\n

artist bio
<\/h3>\n

\n<\/div>

<\/div>
<\/p>\n

Hovey grew up in the Northeast Kingdom, a rural area in northern Vermont. There she developed an appreciation of the natural world and a respect for the environment. This is also where she learned many of the hand-craft and construction techniques that are present in her work.<\/p>\n

Hovey received her BFA from the School of Visual Arts in New York and her Master\u2019s of Fine Art from San Francisco State University. Since graduating, Hovey\u2019s wanderlust and art career have taken her on artist residencies throughout the United States and Europe, and to China and South Africa. Hovey currently splits her creative time between Northern California, and Vermont.<\/p>\n

In addition to Hovey\u2019s art career, she founded ProjectThorn. ProjectThorn funds tangible projects that prevent rhino and wildlife poaching in Southern Africa. To further her conservation knowledge, she spent a year training as a safari guide in the Eastern Cape and volunteering in the Central Kalahari.<\/p>\n

Hovey currently maintains her studio practice in Fairfax, CA. Her work is represented by Aurelia Gallery in Santa Fe, NM and Red Fox Gallery in Pound Ridge, NY<\/p>\n

\n<\/div>

<\/p>\n

brief<\/h3>\n

\n<\/div>

<\/p>\n

Hovey is a multidisciplinary artist primarily working in site-specific installation. Her work addresses concerns for the environment, wildlife conservation, and physical geography.<\/p>\n

\n<\/div>

<\/p>\n

statement<\/h3>\n

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As a multidisciplinary visual artist, I seek inspiration from the natural world. My work explores the symbiotic relationship between the human landscape and the natural world. I travel for inspiration, I seek out unique habitats, extreme landscapes, unusual flora, and endemic fauna. Although the work I create is diverse in material, process, and execution, the pieces contextually relate to concerns for the environment, sustainability, biodiversity and physical geography. My artworks are experiential, mixed media interventions. They typically incorporate textiles, recycled resources, and natural materials.<\/p>\n

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Karrie traveling in Iceland, 2014.<\/p>\n

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links
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Residencies<\/span><\/strong>
Farmhouse 58<\/a>
Artist Residencies Enschede<\/a>
Bag Factory
<\/a>Brush Creek Artist Residency
<\/a>Eastside International
<\/a>The Sam and Adele Golden Foundation for the Arts<\/a>
Headlands Center for the Art<\/a>
I-Park Artist Enclave <\/a>
Nirox Foundation<\/a>
Prairie Center of the Arts<\/a>
Recology<\/a>
Sculpture Space<\/a>
Spiro Arts<\/a>
Studio 943<\/a>
Taliesin Artist Residency Program <\/a>
Terra Foundation for American Art <\/a><\/p>\n

Museums<\/span><\/strong>
Telfair Museum \/ Jepson Center<\/a>
Everson Museum of Art<\/a><\/p>\n

Galleries
<\/span><\/strong>Aurelia Art Gallery<\/a>
Red Fox Gallery<\/a>
ID11<\/a>
Intersection for the Arts<\/a>
Nicholas Cohn Art Projects<\/a>
OFF Space<\/a>
Root Division<\/a>
Smack Mellon<\/a>
Traywick Contemporary<\/a>
Undercurrent Arts<\/a><\/p>\n

Artists<\/span><\/strong>
Timothy Braun<\/a>
Terrance Graven<\/a>
Petra Groen<\/a>
Marjorie Hudson<\/a>
Saskia Jorda<\/a>
Bohdanna Kesala<\/a>
Jessica Lott<\/a>
 Rolina Nell<\/a>
Lucrecia Troncoso
<\/a>Christy Puetz<\/a>
Annie Varnot<\/a><\/p>\n

Education<\/span><\/strong>
Dominican University of California<\/a>
San Francisco State University<\/a>
School of Visual Arts<\/a><\/p>\n

Art Organizations<\/span><\/strong>
The Hatch Fund<\/a><\/p>\n

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